post-allpocalypse - location: unknown

There is a flash.
And then they are no longer gone.
The shift disorients him, but not as much as the shift into Milliways-space did. The air is breathable, here; the gravity familiar, like the comforting weight of an old quilt that you've slept with for years.
it does not taste of death on his tongue
He does not crash-land this time, either - though they hit the earth with a soft thwump.
Skellig feels grief ripple through his veins as his feet bruise and break the stems of a small patch of wildflowers upon touchdown. (They did not deserve it. Not like the lobsters.) The scent of ozone clings to the both of them, but the gentle, warm breeze helps to begin to wash it away.
He walks them into the barn, still carrying her (by this point, he has her cradled to his chest, her arms wound tightly around his neck) and the familiar shadows and dust motes of home are there to greet them.
There is a pile of comfortable blankets up above in the hayloft. He gets them there.
And only then does he let her go.
(Gently. So gently. She is so tired, and so is he. They have earned a rest.)
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He stretches the other wing out. This is the one that got caught by the blast of a fire-breathing antelopony.
It is more sore than the other. Once he gets his hands on the aspirin, he also chews up a few, but doesn't grimace. He's used to the taste. Sometimes he doesn't have water.
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And then Olya really would kill her.
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At least he is not bleeding.
Anymore, anyway.
It is a considerable effort to pull himself to his feet, but like her earlier desire to look outside, he feels drawn to the night sky. The stars at Milliways are always different than the ones he is used to.
He pauses in his slow shuffle towards the open 'window' - really the old door to the hayloft - at her side, offering her his hand.
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It's a bit of a battle, but in the end, she's found her feet again.
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The night air is warm but not sticky-hot, and the sky is crystal clear.
(And decidedly NOT blood-red and crackling with lightning.)
"Here," he says, sitting down and offering her assistance. His legs are dangling over the edge and he's leaning against one side of the frame.
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Maybe she'll bother to feel it later.
"The stars are so beautiful." She observes, quietly, after settling in. She'd forgotten, a little, in the last few days of degenerating surroundings.
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He wonders if the Bar is even still there. He thinks it will be - after all, these things happen. Sometimes. But even so, if it isn't...they will deal with it later.
His arm comes to rest around her as she settles in against his side.
"I like it."
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Other than not being in Moscow, things are decidedly looking up.
She huffs, as her hand falls on her rather empty coat pocket again.
"I am going to be utterly useless for weeks." She grumbles, because...
Well.
Its what one does.
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Skellig looks down at her.
"And you are not completely useless."
She is here, and that means that they are not alone in this.
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"Will we see them again, do you think?"
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Skellig closes his eyes and contemplates this; in his mind, he reaches out --
he can't find them, at first - it is nothing but static and flickers and fragments across his connections ; that is more an operator error than a transmission one, because he is so damn tired ; and just when he thinks he might have a grip, it all goes black
"...can't tell."
Maybe later. He's still too exhausted.
"Completely useless, too."
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Though it's best to stay away from those blankets.
They're just ridiculous.
Somewhere out in the dark, an owl hoots. She wonders if he'll get cognac for it.
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He has had enough of that for awhile, thank you.
And the only way that owl is getting any cognac is if it flies into the barn with a bottle and pours a glass for itself, because Skellig is not moving again until he absolutely has to.
(Sorry, owl.)